Review: The Last Manhunt (2022) – A Haunting Ride Through the Desert of Justice

The Last Manhunt (2022) isn’t your typical Western. It’s quieter, more poetic, and deeply rooted in the forgotten voices of the American frontier. With Jason Momoa involved in the writing and production, I expected grit—but what I didn’t expect was such emotional depth.

The story, inspired by true events and told from a Native perspective, follows a young couple on the run after a tragic incident. What unfolds is part chase, part tragedy, and entirely human. The desert landscape becomes a character in itself—barren, beautiful, and unforgiving.

Lead performances by Martin Sensmeier and Mainei Kinimaka are surprisingly tender, giving the film a raw intimacy. It’s not packed with action, but when it hits, it hits hard. The cinematography is gorgeous, with wide shots that feel like oil paintings and a slow-burning pace that makes every silence feel loud.

Sure, it’s not for everyone—those expecting shootouts and saloon brawls might be disappointed—but for fans of revisionist Westerns with a soul, The Last Manhunt is a gem worth discovering.

Rating: 8.2/10
Tagline (if I had to make one up): “Some legends are told wrong. This one fights back.”