Wind River (2017)

 

Wind River (2017) is a chilling, atmospheric crime thriller directed by Taylor Sheridan, who is best known for his work on Sicario and Hell or High Water. Set against the bleak, snow-covered landscape of Wyoming, the film explores themes of justice, isolation, and the harsh realities faced by Native American communities. Starring Jeremy Renner and Elizabeth Olsen, Wind River is both a gripping murder mystery and a poignant exploration of loss and survival.

The story centers on Cory Lambert (Renner), a wildlife tracker who works for the U.S. Fish and Wildlife Service. He’s called to the remote Wind River Indian Reservation after the body of a young Native American woman is discovered in the snow. The victim, Natalie (Kelsey Asbille), is found miles from any sign of civilization, with no obvious explanation for her death. What begins as a routine investigation soon turns into something far more complicated as Lambert teams up with Jane Banner (Olsen), a rookie FBI agent who is sent to investigate the crime, despite lacking experience in dealing with such harsh conditions and cases involving indigenous communities.

As the investigation deepens, it becomes clear that Natalie’s death is tied to a wider pattern of violence and systemic neglect faced by the residents of the reservation. Cory’s deep knowledge of the area and its people, combined with his personal connection to the land, makes him the perfect person to guide Jane through the brutal terrain. The film gradually unveils the tragic history of both the victim and the community, revealing how poverty, despair, and a lack of justice contribute to an environment where violence can fester unchecked.

At its core, Wind River is not just a crime thriller, but a meditation on grief and healing. Cory is a man who has been haunted by personal loss—his daughter was murdered years ago, and he still carries the emotional scars. This tragic backstory informs his character, driving him to seek justice for Natalie, even as he wrestles with his own unresolved trauma. Renner’s portrayal of Cory is understated yet powerful, bringing a quiet intensity to a character whose pain is deeply internalized. His calm demeanor contrasts sharply with the brutal environment he inhabits, adding to the film’s sense of isolation and emotional weight.

Elizabeth Olsen’s performance as Jane Banner is equally strong. Jane is a fish out of water, both literally and figuratively. She’s unfamiliar with the harsh realities of life on the reservation and struggles to assert her authority in a world dominated by men, both law enforcement and the dangerous individuals they’re hunting. Yet, despite her initial inexperience, Jane is a resilient and empathetic character who proves her mettle as the investigation unfolds. Olsen portrays her with a sense of vulnerability and determination, giving her a grounded, human quality that complements Renner’s stoic performance.

 

The film’s cinematography is one of its most striking features. Shot on location in the harsh, frozen landscape of Wyoming, the vast, snow-covered plains become a character in their own right. The stark beauty of the environment contrasts with the brutal violence that unfolds, heightening the sense of isolation and desolation that permeates the film. The sweeping shots of the wilderness are both breathtaking and ominous, serving as a reminder of how unforgiving the world can be, especially for those who are already marginalized.

Sheridan’s script is tight, focusing on character development, atmosphere, and social issues rather than on flashy action sequences. The pacing is deliberate, allowing the tension to build slowly as the investigation uncovers deeper layers of corruption and neglect. The violence that occurs in Wind River is stark and unflinching, but it is never gratuitous. When violence does occur, it is brutal and direct, underscoring the reality of life in such an unforgiving environment.

One of the key themes of the film is the systemic injustice faced by Native Americans, particularly women. The story highlights the issue of missing and murdered Indigenous women, a real and devastating epidemic that has been largely ignored by mainstream media and law enforcement. Through the character of Natalie, Wind River sheds light on the pervasive cycle of violence that continues to affect Native communities, particularly those living in poverty and isolation on reservations. The film is a poignant reminder of the broader social issues that are often overlooked in the narrative of American life.

The film’s conclusion is both haunting and heartbreaking. Without giving away any spoilers, the ending serves as a powerful commentary on the themes of justice and revenge, showing that sometimes, even when justice is pursued, it comes at a steep emotional cost. The characters are left to grapple with the consequences of their actions, and the resolution, while satisfying, does not provide the kind of neat closure that audiences might expect. Instead, Wind River leaves viewers with a lingering sense of loss and a deeper understanding of the harsh realities faced by the film’s characters.

The film also benefits from its score, composed by Nick Cave and Warren Ellis. The haunting, atmospheric music complements the film’s mood perfectly, enhancing the emotional depth and adding an additional layer of tension to key moments. The score works in tandem with the visuals to create an immersive experience, drawing viewers further into the world of Wind River.

In conclusion, Wind River is a haunting and emotionally resonant film that tackles important social issues while also delivering a taut, suspenseful crime thriller. It’s a film that isn’t afraid to explore the darker sides of human nature and the often-overlooked struggles of marginalized communities. With standout performances from Renner and Olsen, as well as a screenplay that is both poignant and thrilling, Wind River stands as one of the most impactful and memorable films of its year. It’s a story of survival, justice, and the complexities of grief, and it leaves a lasting impression long after the credits roll.